{"id":6642,"date":"2022-11-06T10:00:23","date_gmt":"2022-11-06T09:00:23","guid":{"rendered":"http:\/\/miguelsaleslopes.com\/?page_id=6642"},"modified":"2025-11-01T00:14:22","modified_gmt":"2025-10-31T23:14:22","slug":"about","status":"publish","type":"page","link":"https:\/\/miguelsaleslopes.com\/index.php\/en\/about\/","title":{"rendered":"About \/ CV"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_color=”#4c4c4c” shape_divider_position=”bottom” shape_divider_bring_to_front=”true” bg_image_animation=”none” shape_type=”mountains”][vc_column column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”4\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Miguel Sales Lopes is a director, producer and cinematographer, with over 30 years of experience in national and foreign film and television productions.<\/h4>\n

As director of photography for fiction, documentary and advertising films, he has received several international awards.<\/h4>\n

He is a member of the Portuguese Association of Cinematographers (AIP) and a permanent member of the Portuguese Film Academy since its creation.<\/h4>\n

During the last years he has also worked as a director and producer, mainly through his own production company KINORA Filmes<\/a><\/strong>.<\/h4>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”8241″ image_size=”full” max_width=”50%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”2%” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_btn size=”medium” open_new_tab=”true” button_style=”see-through-2″ color_override=”#004e5e” hover_text_color_override=”#ffffff” icon_family=”fontawesome” url=”tel:+351 91 922 43 73″ text=”+351 91 922 43 73″ css_animation=”none” icon_fontawesome=”fa fa-phone”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_btn size=”medium” open_new_tab=”true” button_style=”see-through-2″ color_override=”#004e5e” hover_text_color_override=”#ffffff” icon_family=”none” url=”https:\/\/www.imdb.com\/name\/nm0758103\/” text=”IMDB Page”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”5\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][toggles style=”minimal”][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”Awards and Nominations”][vc_column_text css_animation=”fadeIn”]NADA NAS M\u00c3OS (Short Film, Portugal 2021)
\nDir. Paolo Marinou-Blanco Prod. Darya Films \/ Kinora Filmes
\n– Nominated for the AIP (Portuguese Society of Cinematographers) Short Film Cinematography Award (Portugal) 2022<\/strong><\/span><\/p>\n

PARQUE MAYER (Feature Film, Portugal 2018)
\nDir. Ant\u00f3nio-Pedro Vasconcelos Prod. MGN
\n<\/strong><\/span>– Nominated for the AIP (Portuguese Society of Cinematographers) Feature Film Cinematography Award (Portugal) 2019<\/strong><\/span><\/p>\n

MOSCATRO (Short Film, Portugal 2018)
\nDir. Patr\u00edcia Maciel Prod. O Quarto Estado
\n– Best Cinematography award at the Genre Celebration Festival Tokyo 2019
\n– Nominated for the AIP (Portuguese Society of Cinematographers) Short Film Cinematography Award (Portugal) 2019<\/strong><\/span><\/p>\n

VICIOS PARA UMA FAM\u00cdLIA FELIZ (Short Film, Portugal 2016)
\nDir. Tiago R. Santos Prod. Helena Canhoto
\n– Nominated for the CinEuphoria Best Cinematography Award (Portugal) 2017<\/strong><\/span><\/p>\n

AMOR IMPOSS\u00cdVEL (Feature Film, Portugal 2015)
\nDir. Ant\u00f3nio-Pedro Vasconcelos Prod. MGN
\n– Nominated for the Portuguese Film Academy Sophia Award for Best Cinematography (Portugal) 2016<\/strong><\/span>
\n– Nominated for the CinEuphoria Best Cinematography Award (Portugal) 2016<\/strong><\/span><\/p>\n

VIRADOS DO AVESSO (Feature Film, Portugal 2014)
\nDir. Edgar Pera Prod. Cinemate
\n– Nominated for the CinEuphoria Best Cinematography Award (Portugal) 2015<\/strong><\/span><\/p>\n

DOT.COM (Feature Film, Portugal 2007)
\nDir. Lu\u00eds Galv\u00e3o Teles Prod. Fado Filmes
\n– Best Cinematography award at the Kimera Film Festival (Italy) 2009<\/strong><\/span>
\n– Best Cinematography award at the Hola Lisboa International Film Festival (Portugal) 2008<\/strong><\/span>
\n– Nominated for Best Cinematography at the Sacramento International Film Festival (U.S.A.) 2008<\/strong><\/span>
\n– International Competition at the Madridimagen Cinematography Festival (Spain) 2007<\/strong><\/span><\/p>\n

GLAMOUR (Short Film, Portugal 2005)
\nDir. Lu\u00eds Galv\u00e3o Teles Prod. Fado Filmes
\n– Manaki Brothers Cinematography Festival (Macedonia) 2006<\/strong><\/span><\/p>\n

A RAPARIGA DA M\u00c3O MORTA (Short Film, Portugal 2005)
\nDir. Alberto Seixas Santos Prod. O Som e a F\u00faria
\n– Best Cinematography Award at the Vila do Conde International Short Film Festival (Portugal) 2005<\/strong><\/span><\/p>\n

UM C\u00cdRCULO PERFEITO (Short Film, Portugal 2002)
\nDir. Carlos Ramos Prod. O Som e a F\u00faria
\n– Manaki Brothers Cinematography Festival (Macedonia) 2003<\/strong><\/span><\/p>\n

A RAPARIGA NO ESPELHO (Short Film, Portugal 2002)
\nDir. Pedro Fortes Prod. O Som e a F\u00faria
\n– Best Cinematography Award at the International Festival of Cinema and Technology (U.S.A.) 2005<\/strong><\/span>
\n– Manaki Brothers Cinematography Festival (Macedonia) 2003<\/strong><\/span><\/p>\n

A MULHER POL\u00cdCIA (Feature Film, Portugal 2000)
\nDir. Joaquim Sapinho Prod. Rosa Filmes (with Jacques Loiselleux AFC)
\n– Best Cinematography Award at the Gibara International Non-Budget Film Festival (Cuba) 2005<\/strong><\/span>
\n– AEC Best Cinematography Award at the Ourense International Independent Film Festival (Spain) 2003<\/strong><\/span>
\n– Best Cinematography Award at the Lecce European Film Festival (Italy) 2003<\/strong><\/span>
\n– International Competition at the Madridimagen Cinematography Festival (Spain) 2003<\/strong><\/span>[\/vc_column_text][\/toggle][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”Narrative”][vc_column_text css_animation=”fadeIn” css=”” text_direction=”default”]BENVINDA (Short Film, Portugal 2025)
\nDir.+DF Miguel Sales Lopes | Prod. ACT School \/ Kinora Filmes<\/p>\n

NADA NAS M\u00c3OS (Short Film, Portugal 2021)
\nDir. Paolo Marinou-Blanco Prod. Darya Films \/ Kinora Filmes
\n– Nominated for the AIP (Portuguese Society of Cinematographers) Short Film Cinematography Award (Portugal) 2022<\/strong><\/span><\/p>\n

PARQUE MAYER (Feature Film, Portugal 2018)
\nDir. Ant\u00f3nio-Pedro Vasconcelos Prod. MGN
\n– Nominated for the AIP (Portuguese Society of Cinematographers) Feature Film Cinematography Award (Portugal) 2018<\/strong><\/span><\/p>\n

INNER GHOSTS (Feature Film, Portugal 2018)
\nDir. Paulo Leite Prod. Bad Behavior<\/p>\n

MOSCATRO (Short Film, Portugal 2018)
\nDir. Patr\u00edcia Maciel Prod. O Quarto Estado
\n– Best Cinematography award at the Genre Celebration Festival Tokyo 2019
\n– Nominated for the AIP (Portuguese Society of Cinematographers) Short Film Cinematography Award (Portugal) 2018<\/strong><\/span><\/p>\n

VICIOS PARA UMA FAM\u00cdLIA FELIZ (Short Film, Portugal 2016)
\nDir. Tiago R. Santos Prod. Helena Canhoto
\n– Nominated for the CinEuphoria Best Cinematography Award (Portugal) 2017<\/strong><\/span><\/p>\n

N\u00c3O ESQUECER\u00c1S (Short Film, Portugal 2016)
\nDir. Jo\u00e3o M\u00e1rio Grilo Prod. Cinemate<\/p>\n

AMOR IMPOSSIVEL (Feature Film, Portugal 2015)
\nDir. Ant\u00f3nio-Pedro Vasconcelos Prod. MGN
\n– Nominated for the Portuguese Film Academy Sophia Award for Best Cinematography (Portugal) 2016<\/strong><\/span>
\n– Nominated for the CinEuphoria Best Cinematography Award (Portugal) 2016<\/strong><\/span><\/p>\n

ESTRADA DE NADA (Short Film, Portugal 2015)
\nDir. Nuno Canavarro Prod. David & Golias<\/p>\n

VIRADOS DO AVESSO (Feature Film, Portugal 2014)
\nDir. Edgar Pera Prod. Cinemate
\n– Nominated for the CinEuphoria Best Cinematography Award (Portugal) 2015<\/strong><\/span><\/p>\n

UMA FAM\u00cdLIA A\u00c7OREANA (TV Series, Portugal 2013)
\nDir. Jo\u00e3o Cayatte Prod. Cinemate<\/p>\n

7 PECADOS RURAIS (Feature Film, Portugal 2013)
\nDir. Nicolau Breyner Prod. Cinemate<\/p>\n

PROJECTO V (Short Film, Portugal 2012)
\nDir. Bernardo Almeida Prod.\u00a0Olho-de-Boi Filmes<\/p>\n

A TEIA DE GELO (Feature Film, Portugal 2011)
\nDir. Nicolau Breyner Prod. Cinemate<\/p>\n

O VOO DA PAPOILA (Short Film, Portugal, 2010)
\nDir. Nuno Portugal Prod. PNG Pictures<\/p>\n

WEAKEST PART (Short Film, Portugal 2011)
\nDir. Bernardo Almeida Prod.\u00a0Olho-de-Boi Filmes<\/p>\n

O SEGREDO DE MIGUEL ZUZARTE (TV Movie, Portugal 2010)
\nDir. Henrique Oliveira Prod. Hop!<\/p>\n

A NOITE DO FIM DO MUNDO (TV Movie, Portugal 2010)
\nDir. Henrique Oliveira Prod. Hop!<\/p>\n

O DEZ (TV Series, Portugal 2008)
\nDir. Paolo Marinou-Blanco Prod. Stopline<\/p>\n

O \u00daLTIMO CONDENADO \u00c0 MORTE (Feature Film, Portugal 2009)
\nDir. Francisco Manso Prod. Cinemate<\/p>\n

ALJUBARROTA (Special Venue, Portugal 2007)
\nDir. Margarida Cardoso Prod. Filmes do Tejo II<\/p>\n

GOODNIGHT IRENE (Feature Film, Portugal 2007)
\nDir. Paolo Marinou-Blanco Prod. Filmes do Tejo II<\/p>\n

DOT.COM (Feature Film, Portugal 2007)
\nDir. Lu\u00eds Galv\u00e3o Teles Prod. Fado Filmes
\n– Best Cinematography award at the Kimera Film Festival (Italy) 2009<\/strong><\/span>
\n– Best Cinematography award at the Hola Lisboa International Film Festival (Portugal) 2008<\/strong><\/span>
\n– Nominated for Best Cinematography at the Sacramento International Film Festival (U.S.A.) 2008<\/strong><\/span>
\n– International Competition at the Madridimagen Cinematography Festival (Spain) 2007<\/strong><\/span><\/p>\n

AO FUNDO DO T\u00daNEL (Short Film, Portugal 2005)
\nDir. Jo\u00e3o Pupo Prod. AS Produ\u00e7\u00f5es<\/p>\n

GLAMOUR (Short Film, Portugal 2005)
\nDir. Lu\u00eds Galv\u00e3o Teles Prod. Fado Filmes
\n– Manaki Brothers Cinematography Festival (Macedonia) 2006<\/strong><\/span><\/p>\n

A RAPARIGA DA M\u00c3O MORTA (Short Film, Portugal 2005)
\nDir. Alberto Seixas Santos Prod. O Som e a F\u00faria
\n– Best Cinematography Award at the Vila do Conde International Short Film Festival (Portugal) 2005<\/strong><\/span><\/p>\n

ALGU\u00c9M OLHAR\u00c1 POR TI (Short Film, Portugal 2004)
\nDir. Marta Pessoa Prod. Continental Filmes<\/p>\n

1 MOTIVO (Short Film, Portugal 2004)
\nDir. Nuno Tudela Prod. D&D<\/p>\n

INC\u00d3GNITO (Feature Film, Portugal 2003)
\nDir. Nuno Jardim e Hugo Diogo<\/p>\n

UM C\u00cdRCULO PERFEITO (Short Film, Portugal 2002)
\nDir. Carlos Ramos Prod. O Som e a F\u00faria
\n– Manaki Brothers Cinematography Festival (Macedonia) 2003<\/strong><\/span><\/p>\n

A RAPARIGA NO ESPELHO (Short Film, Portugal 2002)
\nDir. Pedro Fortes Prod. O Som e a F\u00faria
\n– Best Cinematography Award at the International Festival of Cinema and Technology (U.S.A.) 2005<\/strong><\/span>
\n– Manaki Brothers Cinematography Festival (Macedonia) 2003<\/strong><\/span><\/p>\n

O ESP\u00cdRITO DA LEI (TV Series, Portugal 2001)
\nDir. Fernando \u00c1vila Prod. Costa do Castelo \/ SIC<\/p>\n

A MULHER POL\u00cdCIA (Feature Film, Portugal 2000)
\nDir. Joaquim Sapinho Prod. Rosa Filmes (with Jacques Loiselleux AFC)
\n– Best Cinematography Award at the Gibara International Non-Budget Film Festival (Cuba) 2005<\/strong><\/span>
\n– AEC Best Cinematography Award at the Ourense International Independent Film Festival (Spain) 2003<\/strong><\/span>
\n– Best Cinematography Award at the Lecce European Film Festival (Italy) 2003<\/strong><\/span>
\n– International Competition at the Madridimagen Cinematography Festival (Spain) 2003<\/strong><\/span><\/p>\n

HIST\u00d3RIA SEM INTERESSE (Short Film, Portugal 1998)
\nDir. Wilson Siqueira Prod. Tangerina Azul[\/vc_column_text][\/toggle][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”Documentary”][vc_column_text css_animation=”fadeIn”]CONSPIRA\u00c7\u00c3O (TV Documentary Series, Portugal – In production)
\nDir. Ant\u00f3nio-Pedro Vasconcelos\u00a0 Prod. Thrust<\/p>\n

A VOZ E OS OUVIDOS DO MFA (TV Documentary, Portugal 2017)
\nDir. Ant\u00f3nio-Pedro Vasconcelos e Leandro Ferreira Prod. Just Up<\/p>\n

INTO THE UNKNOWN (Documentary, Portugal 2013)
\nDir. Sankalp Meshram Prod. The Champalimaud Foundation<\/p>\n

NASCIDO PARA VIVER (TV Documentary, Portugal 2012)
\nDir. Joana Pontes Prod. FFMS<\/p>\n

DESIGN ATR\u00c1S DA GRADES (TV Documentary, Portugal 2011)
\nDir. Margarida Leit\u00e3o Prod. Ukbar<\/p>\n

CES\u00c1RIA, NHA SENTIMENTO (TV Documentary, Portugal 2010)
\nDir. Sofia Leite Prod. RTP<\/p>\n

TOBIS PORTUGUESA (Feature Film Portugal 2009)
\nDir. Manuel Mozos Prod. Pedro \u00c9fe Produ\u00e7\u00f5es<\/p>\n

MARIZA NO PALCO DO MUNDO (TV Series, Portugal 2009)
\nDir. Ivan Dias Prod. Duvideo<\/p>\n

GOLFE (Short Film, Portugal 2009)
\nDir. Filipa Vala Prod. Filipa Vala<\/p>\n

COM QUE VOZ (Feature Film, Portugal 2009)
\nDir. Nicholas Oulman Prod. Glimpse<\/p>\n

MILHO (Feature Film, Portugal 2009)
\nDir. Jos\u00e9 Barahona Prod. Filmes do Tejo II<\/p>\n

MIL\u00da, A MENINA DA R\u00c1DIO (TV Documentary, Portugal 2007)
\nDir. Ant\u00f3nio Pedro Vasconcelos Prod. Oficina de Filmes<\/p>\n

H\u00c9CUBA, UN SUE\u00d1O DE PASI\u00d3N (Feature Film, Spain 2006)
\nDir. Jos\u00e9 Luis L\u00f3pez-Linares e Arantxa Aguirre Prod. L\u00f3pez-Li Films<\/p>\n

EL CINE EN LAS VENAS (TV Documentary, Spain 2005)
\nDir. Jos\u00e9 Luis L\u00f3pez-Linares Prod. L\u00f3pez-Li Films<\/p>\n

MORENTE SUE\u00d1A LA ALHAMBRA (Feature Film, Spain 2005)
\nDir. Jos\u00e9 Sanchez Montes Prod. \u00c1tico Siete (with Jos\u00e9 Luis L\u00f3pez-Linares AEC)<\/p>\n

UNA MIRADA FOTOGRAFICA (TV Series, Spain 2005)
\nDir. Jos\u00e9 Luis L\u00f3pez-Linares Prod. L\u00f3pez-Li Films<\/p>\n

CINCO MILLONES DE T\u00cdTULOS (Short Film, Spain 2005)
\nDir. Luis Calvo Prod. L\u00f3pez-Li Films<\/p>\n

RETRATO DE CARLOS SAURA (TV Documentary, Spain 2004)
\nDir. Jos\u00e9 Luis L\u00f3pez-Linares Prod. Zebra Films<\/p>\n

CARTA DE CHAMADA (TV Documentary, Portugal 2003)
\nDir. Cristina Ferreira Gomes Prod. Nanook<\/p>\n

ALBERTI PARA CAMINANTES (Feature Film, Spain 2003)
\nDir. Javier Rioyo Prod. Cero en Conducta<\/p>\n

HIST\u00d3RIA DO CINEMA PORTUGU\u00caS \u2013 1974\/85 (TV Documentary, Portugal 1998)
\nDir. Jorge Paix\u00e3o da Costa Prod. Acetato<\/p>\n

HIST\u00d3RIA DO CINEMA PORTUGU\u00caS \u2013 1986\/98 (TV Documentary, Portugal 1998)
\nDir. Margarida Cardoso Prod. Acetato[\/vc_column_text][\/toggle][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”Commercials”][vc_column_text css_animation=”fadeIn”]Severall commercials for directors like Denis Rovira, Ricardo Cruz, Andr\u00e9 F., S\u00e9rgio Henriques, Leonel Vieira, Paulo Carboila, Ana Oliveira, Lawrence Page, Pablo Feron, Paulo Reixa, Nuno Maltez, Jus\u00e9 Cunha, Manuel Sacadura, Alexandre Montenegro, and others. Production Companies: Sync, Stopline, Tangerina Azul, Quioto, Trix, Rep\u00fablica das Bananas, Panor\u00e2mica 35, Pix-Mix, Facilidades e Filmes, Show Off and others. Agencies: J. Walter Thompson, Ogilvy, Partners, Normajean, Grey, McCann, Zinc, TBWA, Y&R and others.[\/vc_column_text][\/toggle][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”Music Videos”][vc_column_text css_animation=”fadeIn”]MIA ROSE \u2013 Disney MCR2 (Portugal 2010)
\nDir. Nuno Portugal Prod. PNG Pictures<\/p>\n

NSF \u2013 THIS IS FOR MY PEOPLE (Portugal 2010)
\nDir. Alexandre Valente Prod. Play Filmes<\/p>\n

TIAGO BETTENCOURT & MANTHA \u2013 SE CUIDAS DE MIM (Portugal 2009)
\nDir. Tiago Betencourt, Alexandre Valente Prod. Play Filmes<\/p>\n

TIAGO BETTENCOURT & MANTHA \u2013 S\u00d3 MAIS UMA VOLTA (Portugal 2009)
\nDir. Tiago Betencourt, Alexandre Valente Prod. Play Filmes<\/p>\n

MARIZA \u2013 ROSA BRANCA (Portugal 2009)
\nDir. Leonel Vieira Prod. Stopline<\/p>\n

HUMANOS \u2013 MARIA ALBERTINA (Portugal 2005)
\nDir. Ant\u00f3nio Ferreira Prod. Zed Filmes<\/p>\n

GNR \u2013 POPLESS (Portugal 2000)
\nDir. Jo\u00e3o Maia Prod. Diamantino Filmes<\/p>\n

DA WEASEL \u2013 A PAIX\u00c3O (Portugal 2000)
\nDir. Bruno Pinhal Prod. Ozono Filmes<\/p>\n

MISIA \u2013 PAIX\u00d5ES DIAGONAIS (Portugal 1999)
\nDir. Francisco Arag\u00e3o Prod. Francisco Arag\u00e3o<\/p>\n

MICRO \u2013 INFANTES (Portugal 1999)
\nDir. Stjepan Klein Prod. Claudia Costa[\/vc_column_text][\/toggle][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”Camera Operator”][vc_column_text css_animation=”fadeIn”]AFTER EVERYTHING (Feature Film, U.S.A – In post-production)
\nDir. Castille Landon DP: Joshua Reis Prod. Wattpad<\/p>\n

MADONNA – MADAME X (Feature Film, U.S.A. 2021)
\nDir. Ricardo Gomes DP: Ricardo Gomes Prod. MTV Entertainment Studios<\/p>\n

UN FIGLIO DI NOME ERASMUS (Feature Film, Italy 2020) – Additional Camera Operator
\nDir. Alberto Ferrari DP: Saverio Guarna Prod. Vivi Film<\/p>\n

F\u00c1TIMA (Feature Film, Italy 2018)
\nDir. Marco Pontecorvo DP: Vincenzo Carpineta Prod. Vivi Film<\/p>\n

FADOS DE CARLOS SAURA (Feature Film, Portugal 2007)
\nDir. Carlos Saura DP: Jos\u00e9 Luis L\u00f3pez-Linares Prod. Fado Filmes<\/p>\n

\u00a1BUEN VIAJE, EXCELENCIA! (Feature Film, Spain 2003)
\nDir. Albert Boadella DP: Jos\u00e9 Luis L\u00f3pez-Linares Prod. Lolafilms<\/p>\n

SALOM\u00c9 (Feature Film, Spain 2001) \u2013 2nd Camera
\nDir. Carlos Saura DP: Jos\u00e9 Luis L\u00f3pez-Linares Prod. Zebra Productiones<\/p>\n

OCTAVIA (Feature Film, Spain 2001)
\nDir. Basilio Martin Patino DP: Jos\u00e9 Luis L\u00f3pez-Linares Prod. Linterna M\u00e1gica<\/p>\n

BU\u00d1UEL Y LA MESA DEL REY SALOM\u00d3N (Feature Film, Spain 2001) \u2013 2nd Camera
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